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“I’m tho thorry, I wanted to hear more about the fairieth.” Lila Williams would have braved the elements to listen to more of Betty’s original stories.,

He tried to hold it from falling, but could not. It seemed as if his arms would be pulled out of their sockets. It would fall short—he must hold on to it, not let it strike below, for the noise would betray them too soon; and—the men in the wagon were passing!,

Cautiously he crept nearer the door, stopping at each step to listen, to look again at the worker above. He was at the very corner of the house when voices sounded from within. He started, his breath coming quicker. He caught no words, but knew by the “ginger” in the tones that the speakers were angry. Shuffling steps came up the stairway and turned toward the rear.,

May Nell was not taken to her father; he came to her. Edith’s pictures of the little girl fulfilled their mission; they met him as soon as he landed from South America. He had been a busy man during those few days; had found not only his child but his wife, ill in a country sanitarium; where, for weeks after the earthquake and fire had, she supposed, swallowed her little daughter, she lingered, praying only to die. Now with husband and child both saved to her, she was fast growing well; needed only their presence to complete her recovery.

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“Don’t sit there wool-gatherin’ anyways, Mose, or the moths’ll nest in yer head. Ef you carn’t sing in toon, you kin bring up a cup of tea fer Miss Gordon an’ Mr. Eliot, an’ don’t fergit Betty an’ yer Mar.”,

St. Elmo cast about in his mind for some plausible explanation of his recent panic. It would never do to inform the world that he had been afraid of a mere turkey.,

“Oh no Betty,” Moses tones were of an elder-brotherly authority, “yer li’l han’s aint meant fer sich servitood. I’d not stan’ by an’ see you do that.” With all his teasing at times, Moses adored his little foster-sister. He idealized her, and as Mrs. Wopp had often remarked, whenever Betty left his presence he saw her ascend into heaven in a “Whirlwin’ of fire, an’ go-cart of flame.”,

Al Newman arranged all the theatre parties for his wife and guests. He opened up the piano as he spoke and turned to the musician.